Moreover, I was not serious about the cello, spending most of my time playing basketball. But until I was 14, I did not really know where and what the notes were. For 4 years he taught me the Starker method of left hand playing. He was Hungarian and he had gone to Bloomington, Indiana, to study with Starker. However, I did not really understand what he was talking about. My teacher was a student of Janos Starker.
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The music classroom was very warm and very nice, but the teachers were not so good. However, she stopped after a few years and I got stuck with it (Laughs). The girl was 14 and she was more advanced. My mother always wanted me to play the accordion so I could sit around the campfire and lead the songs.
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She told my mother about it and my mother was shocked. I told the music teacher that I wanted to play the cello. But the music room was beneath our classroom, so I used to see and hear the girl all the time. I did not really know anything about a cello. I picked the cello, because of a girl I wanted to get to know. I grew up in a rural Kibbutz in Israel and when I was in 4th grade, we were asked what instrument we would like to play. I started quite late when I was 10 years old. When did you first start to play the cello? Peled plays a rare Andrea Guarneri cello circa 1689. Moreover, as an advocate of Israeli music, he recently recorded the Cello Concerto by Mark Kopytman with the Tel Aviv Soloists under the JMC label and later in the 2006/2007 season, he will premier a concerto dedicated to him by composer Erel Paz with conductor Ilan Volkov.
#YOUTUBE POULENC SARABANDE SERIES#
Upcoming projects include launching a series of CD's and DVD's of the major cello repertoire under the CTM Classics label, which will release the first volume in January 2007. Peled frequently participates in prestigious festivals at the Marlboro Music Festival, Newport Music Festival, Schleswig-Holstein Festival, Seattle Chamber Music Festival, Cape Cod Music Festival, Festspiele Mecklenburg-Vorpommern, Moselfestwochen, Strings in the Mountains, Four Seasons, Båstad, Prussia Cove, Millstatt Musikwochen and Kfar Blum. In recent seasons, he has given solo performances, such as the European Philharmonic Orchestra, Radio Symphony Orchestra Saarbrücken, Orquestra Simfònica de Barcelona i Nacional de Catalunya, London Soloists, Jerusalem Symphony, Israel Chamber Orchestra, Tel Aviv Soloists, Haifa Symphony, Musica Vitae Chamber Orchestra, Philharmonic, Hartford Symphony, Philharmonie Südwestfalen, Nashua Symphony, Ashland Symphony, Chautauqua Symphony and the Irving Symphony. He is a featured guest artist in many of the world's major concert halls, such as Wigmore Hall in London, Alice Tully Hall and Carnegie Hall in New York City, Salle Gaveau, Paris, National Auditorium, Barcelona, Konzerthaus Berlin and Tel Aviv's Man Auditorium. His recordings are often heard on the Israeli National Classical Music Radio & TV, NPR, WGBH Boston, WFMT Chicago, WQXR NY, Saarläischer Rundfunk, Deutschland Radio Berlin, Hessischer Rundfunk, Radio France and Swedish National Radio & TV. The American Record Guide hails him as "having the flair of the young Rostropovich" and he is one of the youngest cello professors ever to be appointed to a major conservatory in the United States ( Peabody Conservatory of Johns Hopkins University). Israeli cellist Amit Peled is forging an international career of the highest caliber both as a soloist and as an enthusiastic teacher. Video of Amit Peled & Daniel del Pino Playing "Andante" of Rachmaninov's Sonata in G minor ** POPPER ETUDES ** ICS Forum/Cello/Equipment Chat Board Activities and Announcements Other Internet Music ResourcesĪudio of Amit Peled Playing Bloch's "The Prayer" ** THE WELL-TEMPERED CELLIST - THE POWER OF ATTENTION ** Article
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TUTTI CELLI CONTENTS - Volume 13, Issue 1 Internet Cello Society Newsletter, Tutti Celli